Then, they will disappear. If something intrigued you, just write down a number next to the image and ask me to tell you more about it. My answer will be followed by short explanation with some more images of the same thing - and hopefully, it will give us all the chance to expand the discussion on that theme.
In some distant way this is a continuation of Rafa’s lecture on images. Not quite though. This is totally subjective. There is no objectivity, no detachment in this. No universal knowledge, no universal truths. This is in fact a presentation of some of my work with the addition of a couple of other images. Images that mean something to me. So, these images are me. I am these images. It’s all personal. The presentation will have no references, no citations, no footnotes... All I will be talking about has been amalgamated in my head and I do not know the origins of that ‘knowledge’ any more. If there is any knowledge in it, that is.
A picture is worth a 1000
words
Does
this saying imply that pictures can talk? I think yes. Moreover, they talk to people
in their own languages. Spooky?! It is
often said that the first mass communication started with images, long before
the written or printed word was used.
I
am talking as an architect now: In our
line of work, a picture seems to be worth more than a 1000 words. Imagery is possibly the most important strategic/tactical
weapon we have in our arsenal. We are using it all the time, through the
process of designing and constructing a building or whilst conceiving and implementing
an urban design plan/concept. At different
stages of the process we are using different types of images. We are
using them in communication with the clients, the builders, the reps, the
planners, in discussions with our colleges...
Mastering the art of presentation (of
which the visual presentation is usually a key part), is as important for us as
being creative or possessing the necessary technical knowledge."
This was a generous present from a seasoned architect and urbanist to co+labo students of architecture and urban design and regular contributors. As intended, it was nor followed by a discussion but it was an (pro)active part of discussion in itself. As such, it fit perfectly into old co+labo practices of favouring indirect over direct (and thus directive) provision of information, provocation and inspiration over information to passively absorb and implement.
As always, co+labo has recorded the talk and several fragments are presented on this blog (above).
As always, co+labo has recorded the talk and several fragments are presented on this blog (above).
While Darko's collaboration with Braca dates back to 1980s Belgrade and the unique environment of CEP, collaboration with co+labo has started in 2012, the he joined us in the workshop conducted in Manchester in association with Leeds University and Professor Greg Keefe, left). co+labo participants were Darko, Sano-san and now OB Ken Akatsuka, Shinnosuke Hoshikawa, Takaaki Kato and Charles Lemonnier.
In briefest, Bratislav Gaković is a Yugoslav and British architect, with
rich international professional experience (1979-1989 in Yugoslavia, 1989-2018
in the UK), with a wide range of projects which included a large number of Urban
Development Plans, Master Plans, architectural schemes for clients from former
Yugoslavia, and major schemes working with Austin-Smith: Lord, The Open
University, John S Bonnington
Partnership, EGS Design, Downs Variava and Ian Simpson Architects. Braca
has entered more than forty architectural and urban design competitions – and won
some twenty awards. His of Non-domestic Building Stock, which started at the
Open University in the a990s is now based at the Bartlett School of Graduate
Studies at University College London.